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Makonde art
The Makonde are an ethnic group in southeast Tanzania and northern Mozambique. The Makonde developed their culture on the Mueda Plateau in Mozambique. At present they live throughout Tanzania and Mozambique and have a small presence in Kenya. The Makonde population in Tanzania was estimated in 2001 to be 1,140,000, and the 1997 census in Mozambique put the Makonde population in that country at 233,358, for a total estimate of 1,373,358.
History
The Makonde successfully resisted predation by African, Arab, and European slavers. They did not fall under colonial power until the 1920s. During the 1960s the revolution which drove the Portuguese out of Mozambique was launched from the Makonde homeland of the Mueda Plateau. At one period this revolutionary movement known as Frelimo derived a part of its financial support from the sale of Makonde carvings. The Makonde are best known for their wood carvings and their observances of puberty rites. They speak Makonde, also known as ChiMakonde, a Central Bantu language closely related to Yao. Many speak other languages such as English in Tanzania, Portuguese in Mozambique, and Swahili and Makua in both countries. The Makonde are traditionally a matrilineal society where children and inheritances belong to women, and husbands move into the village of their wives. Their traditional religion is an animistic form of ancestor worship and still continues, although Makonde of Tanzania are nominally Muslim and those of Mozambique are Catholic or Muslim.
Cashimiri Matayo
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Who olso called himself Cosmel was born around 1935 in Mueda - Cabo- Delgado in Mosambique. His father was woodcarver who had worked in light softwood until some portuguese suggested ebonny for his naturalistic carvings . Kashimiri and his brother Yoseph Francis were trained in the workshop. The two went to Tanzania in 1955 and they easly sold all the carvings the produced to indians curio shops and art deallers in dar-es-salaam.
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George Victor Lugwani
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Different individuals will have different perceptions on one particular sculpture perhaps due to different traditional culture back grounds etc we shall hopefully agree on beauty despite differences divergences in even slight oppositions!
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